Terry Green Blogs About KUSP

Upgrade 2011 update: almost done!

This is likely to be the last post in this blog for the year (unless something especially interesting happens in the next week) — and I wanted to finish by showing you how our Upgrade 2011 studio renovation is coming along.

There are three studios at KUSP. Renovations in one are essentially complete, and another studio is nearly finished. Here’s a look at how they turned out!

Production Studio 2 was the first to get overhauled, starting in September. You can see its skin and bones back at this blog post.

Production Studio 2

This picture shows J.D. Hillard at work this afternoon. To his left is the “control surface,” which is where studio users mix the different audio sources and send them to the right destinations. This was always called “the board” (or by some of my British friends, “the desk”). Up to now at KUSP, a wire with the audio running down it would connect each source of audio to the board, and mixing and switching would happen inside the board itself. Now, what we have (in combination with the computer screen behind it) is more of a virtual device that sends instructions to wherever the audio is coming from (or going to) — anywhere in the station. Gigabit Ethernet switches connect everything together.

In front of J.D. is another computer screen on which we record and edit digital audio files; typically, the audio sources for that editing (such as the microphone in the picture) are what we have assigned to the volume controls, on-off switches, and other knobs (real or virtual) on the control surface.

Wheatnet audio blades

I’ve written about the “blades” that are at the heart of the system before. These are the devices that take analog or digital audio signals into the system (converting the signals to packets that can move around on the audio Ethernet environment), or convert an output stream to a standard digital or analog audio signal so it can leave the studio (or be fed to speakers or headphones). This pair of blades has been rolling along nicely in our audio server rack for about two months now!

Bruce Larsen cutting the countertop

Once we had Production Studio 2 up and running, we started in on our main recording studio, Production Studio 1. Here, Bruce Larsen is carving the right-sized hole in the countertop for this studio’s control surface.

Production Studio 1, finished

And here’s how the room looks today, back in operation. There is still a little bit of finish work to do but we’ve been using the room most of December. The first KUSP show to be produced here, by the way, was Bonnie Jean’s fine late-night program, “The Playlist.” Blades and source equipment (CD players, tape decks, and so on) are installed in the upright racks to the right and left of the control surface, which is a bigger, more versatile version of the one in Production Studio 2. People we interview sit on the opposite side of the counter, and the window looks into the Peter Troxell Performance Studio (also known as “Studio T”), which will finally get permanent equipment about ten years after my predecessor, Peter, started that project.

Wheatstone E-6 control surface

This close-up gives you an idea how much control we have of each audio source now. Any audio signal at KUSP can be assigned to any control channel in any studio; the display in the middle of the channel strip tells you what’s assigned right now. The blue and white buttons at the bottom turn the audio on and off; the vertical slide fader adjusts the sound level; and the buttons above the display let you select different destinations for the audio.

What’s left to do? We’ve been sidetracked somewhat by delays in getting carpet installed in the last studio to upgrade, which is our main on-air studio, but today we got word that the carpet should finally get to Santa Cruz the middle of next week. We will speedily move our on-air operations into Production Room 1 (so if you hear some unusual flubs on the air right around New Year’s, don’t blame overindulgence by the hosts!) and get the last renovations done. Then it’s on to 2012!

Once again, I want to express my gratitude to the hundreds of KUSP supporters who made special gifts in the first half of 2011 to match our federal grant and make Upgrade 2011 a reality. It’s a joy to produce radio in such a flexible and up-to-date facility, and we owe it all to you. See you next year!

Most of public broadcasting’s funding protected in final FY 2012 federal budget

Last Saturday Congress concluded its budget work for the fiscal year that started on October 1 by passing an appropriations bill covering ten different branches of government, plus the military operations in Iraq and Afghanistan.

Funding for public broadcasting was swept along in the section of the bill that dealt with labor, education, health and human services. As had been true in the previous year, federal support for public media eroded around the edges, but the vehicle that provides most of the federal support for public broadcasting was protected.

CPB logo

The general appropriation for the Corporation for Public Broadcasting stays at the same level for the third consecutive year — $445 million. By statute, most of this money goes directly to local stations, with a 75/25 split in favor of public TV. KUSP has received a small share of this appropriation since the mid 1980’s. In recent years it has amounted to a little over $100,000 – about 10% of our operating budget.

A program in the Department of Education, “Ready to Learn,” that is very significant to public TV’s service to children, also survived, receiving $27.2 million – fairly consistent with previous budgets.

Not funded, unfortunately, were other public broadcasting programs that greatly benefited KUSP in past years. No CPB funds earmarked for digital services were appropriated, and the Public Telecommunications Facilities Program, which in its last year of existence provided the major funding for our “Upgrade 2011” project, was not resurrected.

All that said, the public media community generally regarded the final budget bill as good news. Considerable credit was given to citizens who were mobilized by the 170 Million Americans for Public Broadcasting group; members of Congress in both parties heard a lot of feedback from their constituents – especially when factoring in the size of public broadcasting expenditures relative to the overall federal budget.

About two months will go by before the process starts all over again for the fiscal year beginning October 1, 2012 – right in the heart of the upcoming presidential and congressional political campaigns.

kusp.org knocked off line – cause not known

I apologize to kusp.org users who were unable to access our web services (including streaming and on-demand audio) last night. We experienced a so-far unexplained failure in our servers at Cruzio, our Internet provider. We were back on line by about 5:30 AM local time. Our staff, and Cruzio’s, are investigating what happened and we’ll do our best to prevent a recurrence.