Alix Christie is the author of Gutenberg’s Apprentice.
As I read Christie’s gripping tale of technological innovation and invention, I had to constantly wonder if the author intended for me to be thinking of all the current start-ups as she wrote about Gutenberg and company. As the quote indicates, the answer is a resounding “Yes!” But in spite of this, there’s not a hint of anachronism in the novel. It’s a great historical reading experience that just happens to ring true for modern times as well.
“It creates disruption in the status quo,” she observes. “For me the challenge was to ask, ‘How did it come to be?’” Part of what she talks about in this interview and does in the book is to refute the “Great Man” vision of the invention of the printing press. The whole shebang did not as she observes, “..spring forth.” This is the story of a team effort over three years, filled with trials, lots of trial, and a fair amount of error as well.
There’s an important implicit assumption at the heart of Maureen Corrigan’s So We Read On: How The Great Gatsby Came to Be and Why It Endures. It is presumed that readers of her book have read F. Scott Fitzgerald’s The Great Gatsby sometime in the past, and probably not too recently. The title and the book invite us to re-read Fitzgerald, and I’m going to suggest that readers follow my cue, and (re-)read Fitzgerald before reading Corrigan’s work.
You can understand how Lawrence Wright gets the sort of inside stories he tells in ‘Thirteen Days in September: Carter, Begin, and Sadat at Camp David’ when you sit down to talk with him. He carries a masterful knowledge of his subject with a disarming ease. And he’s willing to explore not just the histories he’s learned, but his own writing experience.
“…peace is possible…”
Wright is a natural storyteller, and it’s hard not to just let him unravel the complicated set of facts he’s able to make almost absurdly clear. It was fun to ask about the origins of the book, of course, but just as fun to hear him talk with such authority about what he found out. The mark of a great storyteller is that you forget he is present; only the story is there. Wright has the ability to put his stories front and center.
“… like your hands are, and their arms are, engaged in this poetic dance…”
— Rebecca Alexander
Rebecca Alexander is dressed for the radio when I meet her in the lobby at KQED. She’s wearing a great shirt (Lettuce Turnip the Beet), and looks like she’s ready to teach spin to a class of bicyclists who can’t possibly be in as good shape as she is. With her are her aunt, who drove, and her 97 year-old grandmother from Capitola. With a crew like this, it’s clear that ‘Not Fade Away’ will live up to its title.
On this week’s Agony Column, the legendary Walter Mosely on his latest story whose protagonist is a former porn star. And Lisa See, the renowned author of novels and nonfiction centering on the lives of Chinese and Chinese American characters discusses her new novel about performers in San Francisco’s night clubs in the middle of the last century.
Lisa See’s books include the best selling crime novel “Flower Net” and the personal family history “On golden Mountain: The 100 Year Odyssey of My Chinese American Family.”
From Lisa See’s Web site: “It’s 1938 in San Francisco: a world’s fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities. Grace, Helen, and Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub. Grace Lee, an American-born Chinese girl, has fled the Midwest with nothing but heartache, talent, and a pair of dancing shoes. Helen Fong lives with her extended family in Chinatown, where her traditional parents insist that she guard her reputation like a piece of jade. The stunning Ruby Tom challenges the boundaries of convention at every turn with her defiant attitude and no-holds-barred ambition.”
“…we do a lot of policy-based evidence making here…”
For a novel that might well and accurately be described as a comic-book novel or a crime thriller, there’s actually quite a bit to discuss in ‘Tigerman.’ Harkaway has crafted an ingenious setting in Mancreu Island, one that had me trying to look it up to see if it existed. He manages to crank up the atmosphere to the point where most readers will eel that the setting is a character, and his means of doing so make for a fun discussion.
This program was originally broadcast on February 9, 2014.
Pauley’s book is a step aside from what you might expect. She weaves in her own post-career experiences with those of the people she’s interviewed for her segment on Today. She teaches by story, not sermon, embracing mutually exclusive notions. What works for one person might not work for another. ‘Your Life Calling’ does not offer all of the answers; but it does offer examples of answers that worked.
Pauley’s book is anything but simple, though it’s quite easy to read. She starts out with the story of Meg, a woman stricken with cancer, who recovers and then asks the pertinent question; “What am I going to do for the next 40 years?” Pauley is part of all that question implies, and she follows up with a variety of answers, including her own.
As ‘Your Life Calling’ unfolds, readers will find a mixture of Pauley’s colorful life, played lightly, and mixed with the stories she’s found for her TV series. The prose trends to the reportorial, and she’s clearly influenced by the styles required for TV. She works fast, and cuts time to suit the story and the point. Readers will be surprised by both her interest in and perspective on the future. In one segment, she offers visionary prose as she imagines how she might live some years down the road. Her grounded, low-key style keeps it all together.
Note: This program was originally broadcast February 2, 2014.
Rick Kleffel speaks with the man who was once the CIA’s top lawyer – John Rizzo, about the torture tapes, enhanced Interrogation techniques, dirty assets, drone strikes and about his new book, Company Man.
“Even inside the bubble, you find yourself fairly alone…” — John Rizzo
Rick Kleffel wrote:
I was most interested in the historical aspects of the story, and that’s where I took much of our conversation. There’s a very nice JFK connection in the book, and a scene that is impeccably described. We talked about Iran-Contra, and the part he would have willingly played had he been in the wrong place at the right time. All through the conversation, I have to say that John Rizzo was right there. I think that he was relieved to talk with someone who had read the book, and he was clearly happy to discuss events in the book that were not the focus of recent media attention.
By Rick Kleffel
Attitude is everything in the Bobby Dollar books by Tad Williams. The Angel Doloriel, aka Bobby Dollar, tells the story in some of the most enjoyable, hilarious, smartest prose you can find in this particular veil of tears. Following hot on the heels of ‘The Dirty Streets of Heaven,’ ‘Happy Hour in Hell’ follows the narrative model of the first book. We start in the middle, in this case as Bobby crosses a bridge into hell, then whip back to the beginning and take the story straight up, no chasers.