The Agony Column

Kaui Hart Hemmings Discusses Comedic Reactions to Grief

Author Kaui Hart Hemmings

Author Kaui Hart Hemmings

By Rick Kleffel

It’s hard not to laugh at most of what’s around you if you have just finished reading The Possibilties by Kaui Hart Hemmings. Sarah St. John’s voice will sharpen your ability to identify the many idiocies that surround you, and may inspire a more astringent response than usual.

“I burned that copy and started fresh.”
—Kaui Hart Hemmings

Hemmings is every bit as sharp as her character, but much more generous, at least to aging radio hosts who have hijacked a bit of her visit to San Francisco. I set up the interview on something of a lark. The day I got the book in hardcover, I emailed the author, and suggested that the next time she happened to be in the Bay Area, she should let me know so we could talk about the book. She told me she’d be here next week, and I had the distinct delight of having a very good reason to put down anything else I was doing (like re-finishing the back deck or getting the car fixed), and spending a perfectly delightful bit of reading time with Sarah S. John

hemmings-the_possibilities-homeOff-tape, I asked Hemmings about a movie based on this book, which to me seems dead-certain, given that the movie based on The Descendants was an award-winning hit. (It was an excellent adaptation.) She told me that there had been some interest, but that her first novel had been in movie limbo for quite some time, and this one was only just getting entrée into said limbo. Once again, the many advantages of book over movies are made clear. Committees do not create books after a withering and often badly thought out decision process. That artists-in-their-garrets image offers a real advantage.

[Let me hastily add that most books are the result of more than the authors' efforts, and that editors, publishers and publicists make a huge difference in getting a book to the public. But the core initial creative process tends to be fairly solitary. Hell, I know I could use an editor, a second set of eyes for this enterprise. Cast not stones, etc.]

Hemmings and I sat down to talk and immediately began to have more fun than one should usually attempt an author interview. But it didn’t get in the way of a substantive talk that ran the clock down faster than I expected. We spoke for nearly an hour and then it was time for The Lightning Round.

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