The Agony Column

Interview: William Gibson Connects ‘The Peripheral’

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Author William Gibson

Author William Gibson

Readers are advised not to read the dust jacket, which gives away a big part of the story, as do many reviews.. This is a novel best experienced on its own, immersive terms. Gibson has proven that he’s a writer we can trust and that pays off here in so many ways. Plunging us into a vision of crime and caper complicated by an intricately devised future, ‘The Peripheral’ is perhaps Gibson’s best novel yet.

One the most enjoyable aspects of ‘The Peripheral’ is Gibson’s bone-dry sense of humor. This is a very funny book, with nary a laugh line in sight. Gibson’s smart use of the crime genre and science fiction genre give him the perfect excuse to zip up and down the income scale in a manner that speaks intimately to the income gap permeating our lives that nonetheless is somehow unspeakable.

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All that is readily apparent in our world starts out invisible in ‘The Peripheral.’ By the time the novel ends, we can look back, and sense our own history, remade and re-mystified. Gibson paints a portrait of the future that highlights the weirdness of the present. He writes superbly about technology; how it changes us as we change it. But he needs no tech to re-wire our minds. Words will do just fine.

Author Azar Nafisi and Actor Cary Elwes

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Azar Nafisi

Azar Nafisi discusses her book The Republic of Imagination.

And then actor Cary Elwes talks about the making of the movie The Princess Bride and his book As You Wish. Elwes’ portrait of the production adds another Escher-like layer to the proceedings.

Cary Elwes

Cary Elwes

Fantasy Writer Tad Williams

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Tad Williams’ newest books are hard-boiled detective stories with a fantasy twist; the detective is angel Bobby Dollar.

By Rick Kleffel

Attitude is everything in the Bobby Dollar books by Tad Williams. The Angel Doloriel, aka Bobby Dollar, tells the story in some of the most enjoyable, hilarious, smartest prose you can find in this particular veil of tears. Following hot on the heels of ‘The Dirty Streets of Heaven,’ ‘Happy Hour in Hell’ follows the narrative model of the first book. We start in the middle, in this case as Bobby crosses a bridge into hell, then whip back to the beginning and take the story straight up, no chasers.

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Interview with Author Steven Galloway

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Creating Harry Houdini

Martin Strauss makes some extraordinary claims at the beginning of Steven Galloway’s ‘The Confabulist,’ and like all such declarations, they require extraordinary proof. With Steven Galloway, Martin Strauss and novel’s focal point, Harry Houdini, you’re in precisely the right company to obtain it. Galloway’s novel manages to be a tense, imaginative historical thriller while simultaneously being a poignant mediation about love and loss.

The title of the novel suggests how it’s possible to reconcile such opposing literary notions. Confabulation is what happens when memories are blurred and the imagination supplies supposed facts to fill in the blanks. As we meet Martin Strauss, he’s not in the best shape. Suffering from tinnitus, and racked with guilt, he claims to have met Harry Houdini. Before we can blink our eyes, Galloway introduces us to Houdini, and the novel rockets forward and backward through Houdini’s life and Martin’s.

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