The Agony Column

Interview with John Waters: Going His Way

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John Waters at KUSP. Photo: Rick Kleffel

John Waters at KUSP. Photo: Rick Kleffel

Interview From the first sentence on, John Waters shares his excitement as well as the pitch for ‘Carsick.’ You know it well before reading this review. At the age of 66, John Waters decided he would hitchhike from his doorstep in Baltimore to his doorstep in San Francisco, and share his adventures with readers. That alone is reason enopugh to makie this book worth reading.

There’s more than a bit of non-fiction. Before he tells us what really happened on his journey, Waters offers us two fictional versions; a best-case scenario and a worst-case scenario. Some readers may have trouble distinguishing between the two, though both are markedly different from reality. What remains the same is Waters’ lust or life, his joyful celebration of everything that is human. This is a fun, funny book that offers a potent, often-poignant glimpse of America. It’s quite irreverent but never irrelevant.

Waters is known for his over-the-top work, and he certainly lives up to his reputation in ‘Carsick,’ particularly in the first two sections, where his imagination runs free. Given all the wild content, it’s easy to miss his superbly skilled prose. Waters knows how to turn a sentence and how to expertly layer image and action to take readers to the bizarre corners of his inner mind. Portions of the book border on prose poetry as you might hope to find on the bathroom walls for a surreal funhouse.

waters-carsick-home

All this wordplay and extreme exploration is very funny, but Waters also excels at storytelling and plot. He can craft a vivid character, and in a few short pages tell a whole story that feels real, or at least surreal. In the non-fiction section, things are considerably calmer, but the absence of Waters’ imaginative powers is compensated for by his charm. He clearly charms his rides and everyone charms the reader. Waters seems to like everyone he meets, imagined or real, or at least he’s able to sympathize with them. We like Waters. We like his rides, real and imagined. It’s a grand time.

‘Carsick’ is so much so simply itself that it defies all genres and all attempts to contain it. Waters nails contagious fun. He’ll make you want to hitchhike. You could only hope that it would be Waters himself to give you that ride. In this book he manages to do so. Going His Way

From the first sentence on, John Waters shares his excitement as well as the pitch for ‘Carsick.’ You know it well before reading this review. At the age of 66, John Waters decided he would hitchhike from his doorstep in Baltimore to his doorstep in San Francisco, and share his adventures with readers. That alone is reason enopugh to makie this book worth reading.

There’s more than a bit of non-fiction. Before he tells us what really happened on his journey, Waters offers us two fictional versions; a best-case scenario and a worst-case scenario. Some readers may have trouble distinguishing between the two, though both are markedly different from reality. What remains the same is Waters’ lust or life, his joyful celebration of everything that is human. This is a fun, funny book that offers a potent, often-poignant glimpse of America. It’s quite irreverent but never irrelevant.

Waters is known for his over-the-top work, and he certainly lives up to his reputation in ‘Carsick,’ particularly in the first two sections, where his imagination runs free. Given all the wild content, it’s easy to miss his superbly skilled prose. Waters knows how to turn a sentence and how to expertly layer image and action to take readers to the bizarre corners of his inner mind. Portions of the book border on prose poetry as you might hope to find on the bathroom walls for a surreal funhouse.

All this wordplay and extreme exploration is very funny, but Waters also excels at storytelling and plot. He can craft a vivid character, and in a few short pages tell a whole story that feels real, or at least surreal. In the non-fiction section, things are considerably calmer, but the absence of Waters’ imaginative powers is compensated for by his charm. He clearly charms his rides and everyone charms the reader. Waters seems to like everyone he meets, imagined or real, or at least he’s able to sympathize with them. We like Waters. We like his rides, real and imagined. It’s a grand time.

‘Carsick’ is so much so simply itself that it defies all genres and all attempts to contain it. Waters nails contagious fun. He’ll make you want to hitchhike. You could only hope that it would be Waters himself to give you that ride. In this book he manages to do so. Going His Way

From the first sentence on, John Waters shares his excitement as well as the pitch for ‘Carsick.’ You know it well before reading this review. At the age of 66, John Waters decided he would hitchhike from his doorstep in Baltimore to his doorstep in San Francisco, and share his adventures with readers. That alone is reason enopugh to makie this book worth reading.

There’s more than a bit of non-fiction. Before he tells us what really happened on his journey, Waters offers us two fictional versions; a best-case scenario and a worst-case scenario. Some readers may have trouble distinguishing between the two, though both are markedly different from reality. What remains the same is Waters’ lust or life, his joyful celebration of everything that is human. This is a fun, funny book that offers a potent, often-poignant glimpse of America. It’s quite irreverent but never irrelevant.

Waters is known for his over-the-top work, and he certainly lives up to his reputation in ‘Carsick,’ particularly in the first two sections, where his imagination runs free. Given all the wild content, it’s easy to miss his superbly skilled prose. Waters knows how to turn a sentence and how to expertly layer image and action to take readers to the bizarre corners of his inner mind. Portions of the book border on prose poetry as you might hope to find on the bathroom walls for a surreal funhouse.

All this wordplay and extreme exploration is very funny, but Waters also excels at storytelling and plot. He can craft a vivid character, and in a few short pages tell a whole story that feels real, or at least surreal. In the non-fiction section, things are considerably calmer, but the absence of Waters’ imaginative powers is compensated for by his charm. He clearly charms his rides and everyone charms the reader. Waters seems to like everyone he meets, imagined or real, or at least he’s able to sympathize with them. We like Waters. We like his rides, real and imagined. It’s a grand time.

‘Carsick’ is so much so simply itself that it defies all genres and all attempts to contain it. Waters nails contagious fun. He’ll make you want to hitchhike. You could only hope that it would be Waters himself to give you that ride. In this book he manages to do so. shares his excitement as well as the pitch for ‘Carsick.’ You know it well before reading this review. At the age of 66, John Waters decided he would hitchhike from his doorstep in Baltimore to his doorstep in San Francisco, and share his adventures with readers. That alone is reason enopugh to makie this book worth reading.

There’s more than a bit of non-fiction. Before he tells us what really happened on his journey, Waters offers us two fictional versions; a best-case scenario and a worst-case scenario. Some readers may have trouble distinguishing between the two, though both are markedly different from reality. What remains the same is Waters’ lust or life, his joyful celebration of everything that is human. This is a fun, funny book that offers a potent, often-poignant glimpse of America. It’s quite irreverent but never irrelevant.

Waters is known for his over-the-top work, and he certainly lives up to his reputation in ‘Carsick,’ particularly in the first two sections, where his imagination runs free. Given all the wild content, it’s easy to miss his superbly skilled prose. Waters knows how to turn a sentence and how to expertly layer image and action to take readers to the bizarre corners of his inner mind. Portions of the book border on prose poetry as you might hope to find on the bathroom walls for a surreal funhouse.

All this wordplay and extreme exploration is very funny, but Waters also excels at storytelling and plot. He can craft a vivid character, and in a few short pages tell a whole story that feels real, or at least surreal. In the non-fiction section, things are considerably calmer, but the absence of Waters’ imaginative powers is compensated for by his charm. He clearly charms his rides and everyone charms the reader. Waters seems to like everyone he meets, imagined or real, or at least he’s able to sympathize with them. We like Waters. We like his rides, real and imagined. It’s a grand time.

‘Carsick’ is so much so simply itself that it defies all genres and all attempts to contain it. Waters nails contagious fun. He’ll make you want to hitchhike. You could only hope that it would be Waters himself to give you that ride. In this book he manages to do so.

Interview with Barney Frank

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Rick Kleffel with Barney Frank

Rick Kleffel with Barney Frank

Humor, power and politics — inside the sausage factory.  Representative Barney Frank discusses his book, Frank.

Then, author Jon Ronson on the horror of Internet embarrassment in his new book, So You’ve Been Publicly Shamed.

Interviews with Authors Patrice Vecchione and Daniel Handler

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book-step-into-natureAuthor of Step Into Nature: Nurturing Imagination and Spirit in Everyday Life, Patrice Vecchione joins Rick to discuss her new book.

Rick also spoke with Daniel Handler AKA Lemony Snicket, about his new book We Are Pirates.

Then, Geoff Dyer has Another Great Day At Sea: Life Aboard the George HWW Bush.

Three Unique Authors: Okey Ndibé, M.O. Walsh and Kelly Link

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Three unique authors take the stage: Okey Ndibé discusses his life in Nigeria and his novels Arrows Off Rain and Foreign Gods, Inc; debut novelist M.O. Walsh brings on the Southern gothic in My Sunshine Away; And Kelly Link reveals the reality behind her tale of the surreal and the supernatural.

Authors: Laurie R. King; Mark Bittman

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Laurie R. King discusses her new Mary Russell/Sherlock Holmes novel, Dreaming Spies.

And in the second part of the program, food activist and cookbook author Mark Bittman talks about his books, Food Matters and How to Cook Everything Fast.

Author William Ury

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get-to-yesWilliam Ury is the co-author of the classic book on negotiations, Getting to Yes, the co-founder of the Harvard Negotiation Project and has supervised talks between Hugo Chavez and rebellious citizens, the United States and the Soviet Union during the cold war, and in the Middle east.

He spoke with host Rick Kleffel about his new book, Getting to Yes With Yourself and Other Worthy Opponents.

Authors Jennifer Senior and Stewart O’Nan

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all-joy

onan-west_of_sunset-home

In a Health, Science and Spirit segment, Jennifer Senior looks at the effects of parenthood on the parents in her book, All Joy and No Fun.

And Stewart O’Nan discusses his novel about F. Scott Fitzgerald’s Hollywood decline and fall, West of Sunset.

 

They Want Your Bad Debt

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halpern-bad_paper-pglsm

Author Jake Halperin

Author Jake Halperin

If you’ve ever received a phone call asking for payment on a credit card debt you thought had been forgotten, then you’ve been at the edges of the grey market for uncollected credit. This week, we spoke with author Jake Halpern about his new book, Bad Paper: Chasing Debt from Wall Street to the Underworld.

Listen to Jake Halpern for about a minute, and you’ll see where the incredible energy in ‘Bad Paper: Chasing Debt from Wall Street to the Underworld’ comes from. This is one of those interviews where you’ll hear his voice reading the book to you when you pick it up. If you wonder what exactly is meant by “coiled energy,” Halpern’s voice is a great definition.

Halpern combines that great voice with an equally great storytelling sensibility. His speaking and his prose voice are used to best advantage to take you on a journey to a world within our world that you might not ever have suspected could exist. I will warn readers that hearing this interview is very likely to make you want to buy and read the book. To me it has all the makings of a classic.

Jake and I talked about some of the nuts and bolts of the book, and some of the stories in the book, but as well we discussed the how and why of writing the book. In both cases, he’s a great storyteller, offering insights into his characters as his means of creating them.

The story behind the book is nearly as wild as the story within the book. While you’d think all this reportage is just a bit (or really, a LOT) of pounding the pavements and knocking on door (and there is plenty of that), there is also a wild card in there that, well, just reeks of how we’re doing crime in the 21st century. The Kinks have a good song about that; “Everybody’s a dreamer / and everybody’s a star /everybody’s in showbiz / it doesn’t matter who you are…”

Interview with Richard Ford

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Richard Ford

Richard Fordford-let_me_be_frank_with_you-home

Human beings are a bickering species. But as much as we like to mix it up with one another, the majority of our arguments are entirely internal. We spend most of our lives interrogating and castigating ourselves, trying to find with certainty the answer to the question: who am I?

Richard Ford’s iconic character Frank Bascombe has an answer or two for you, and Ford spells them out delightfully in Ford’s latest book, ‘Let Me Be Frank With You.’ It’s a collection of four novellas that reads very much like an episodic novel. It is Ford at the top of his game. ‘Let Me Be Frank With You’ is hilariously funny, cuttingly insightful, chock-a-block with stunning psychological wisdom, all while being entirely engaging and entertaining.

The first story, “I’m Here,” finds Frank retired and spending his time puttering around, reading to veterans and writing for their newsletter. His wife, Sally, is throwing most of her time into helping the victims of Hurricane Sandy, which has devastated the New Jersey coastline. Frank’s managed to keep a bit of a distance, until a phone call brings back his past to haunt him. In “Everything Could Be Worse,” Frank gets a visit from the former occupant of the house he now lives in. In “The New Normal,” he goes to visit his first wife, who has just checked herself into a very expensive, upscale nursing home, having been recently diagnosed with Parkinson’s. And in “The Deaths of Others,” another phone call takes Frank to visit a friend he’d have preferred to have forgotten.

This is a short book, but it is pristine in execution. Every sentence feels both natural and richly evocative of character or place. Ford’s poetic prose rolls out lyrical descriptions of the American suburb laid to waste by the unstoppable power of nature. There is humor, high and low, the crisp clip of an everyday life turned into low-key and rip-snorting laughter. Ford’s an easygoing master of great writing.

Frank Bascombe himself is on a roll, having reached a new “period” in his life, that of the Default Self. In between acerbic observations that are deeply funny, expect to find insight into divining the self that has the ring of truth. Relationships between men and women, friends and ex-lovers feel familiar and warm but never fuzzy.

And even though the book consists of four stories, Ford provides poetic prose, plot and thematic hooks leading from one to the other, so that the effect of reading the book is unified and richly satisfying. Each novella could work as a standalone piece, but together they offer a whole that is truly greater than the sum of the considerable parts.

‘Let Me Be Frank with You’ sneaks up on you. It’s a fun, easy-to-read book that is incredibly substantial. Ford’s vision of America is true to life, and Frank Bascombe’s insights into life, the arguments he has with himself throughout the book, are quarrels that are ultimately won by and for the reader. And as much as we may be a bickering species, here’s one point we can agree on; ‘Let Me Be Frank With You’ is perfectly clear vision of a very flawed race.

Interview with Bessel van der Kolk MD

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body-keeps-score