This is the JD’s second album for Rounder Records. Produced by Mark Neil and JD McPherson. Released February 1oth, 2015. Audio review and text produced and written by KUSP’s Eric Berg.
Retro – yes, he’s a – modern rocker J.D. McPherson’s highly anticipated second album is finally out. It’s called “Let The Good Times Roll” and although it’s not quite as red hot as his 2012 debut, “Signs & Signifiers”, this sophomoric follow up smokes!
A former art teacher and visual artist, Oklahoma native singer-songwriter plus guitarist McPherson skirts the “retro” pigeonhole with his uncanny knack of successfully mixing musical genres and making it all seem…uh…modern, contemporary? He takes just the right amount of traditional Americana – particularly country blues and knockdown rockabilly and lately, soul…and adds a few twists of alt rock. By the way, McPherson has noted he did not grow up on roots music and listened to a lot of rock music like Hendrix, Zeppelin and David Bowie.
All the songs on “Let the Good Times Roll” are written by McPherson including the title track which has nothing to do with Earl King’s song of the same name but obviously inspired by it with a big nod to both Chuck Berry and Arcade Fire.
McPherson is joined on the album once again by the Chicago based Signifier crew – musical partner and bassist Jimmy Sutton and drummer turned recording engineer Alex Hall who mixed the entire album but doesn’t a lick on it. Co-produced by JD himself, “Let The Good Times Roll” is at times little bit too slick as in “commercial sounding” here and there. JD does seem to be venturing in to James Hunter/Jimmie Vaughn territory with a few tracks that are more blue eyed soul than twang . Fortunately these slowed down soul pieces are more than serviceable. At times, the smooth sailing track, “Bridgebuilder” as well as “Precious” both sound at first an awful lot like something Jimmy Cliff might have written. And on first burst of “Everyone’s Talking ‘Bout the All American” my brain screamed “David Bowie!”, but I calmed down and got with the program.
Okay, I really am being too nit picky here, because, J.D. McPherson’s “Let the Good Times Roll” does just that and in a big way. “Shy Boy” and “You Must Have Met Little Caroline?” are real stand outs. By toning the down the wild retro-billy twang a smidgen in favor of a more contemporary, polished sound, McPherson’s second album still has more than a boatload of infectious hooks and the potential to reach a larger audience seeking a little more rock’n’soul in their retro. – Eric Berg