Winslow explores the intersection of economics, politics, crime and law enforcement the drive a conflict that has little visibility and offers few prospects for resolution
Author and critic Alan Cheuse died last week at age 75. He regularly participated in interviews with KUSP Rick Kleffel. On this week’s Agony Column Literary Magazine show, listen back to a selection Cheuse’s insightful interviews.
Show. He sat down with host Dennis Morton to read from and discuss Troy’s newest poetry collection, titled Syllabus of Errors, which will be published on September 29. The title is perhaps partly a reference to a Vatican document by that name (1864), which comprised an extensive list of “errors” on a wide range of “modern” subjects.
The poems in this book have a lot to say about truth, lies, falsehoods, and authority – and the often problematic relationships among them. We should expect no less from a philosopher - Troy teaches that subject at Cal State Chico. At another point in the interview, Troy noted that his students sometimes complain that he answers questions with questions. These poems employ some of that same Socratic approach.
This is Troy Jollimore’s third visit to the Poetry Show. The first was was back in May, 2007, to talk about his first published book, Tom Thomson in Purgatory. Apropos of nothing, the timing of that visit made him the second earliest guest poet in our podcast library. Although the KUSP Poetry Show stretches back into the mists of the early 1970s, we only have podcasts from May, 2007. A second visit, in August 2011, coincided with publication of a second book, At Lake Scugog.
For our most up-to-the-minute blog readers, be advised that Troy Jollimore will be reading at Bookshop Santa Cruz on Tuesday evening, August 11. This is the regular monthly “second Tuesday” poetry reading, sponsored as always by Poetry Santa Cruz. Joining Troy will be Maggie Paul – also a past Poetry Show gues
Local poet and animal-rights advocate C. J. Sage visited the Poetry Show on August 2, 2015. She and host Dennis Morton read and discussed poetry primarily about animals. Ms. Sage edits The National Poetry Review, and has five published books:
- Let’s Not Sleep (poetry)
- And We the Creatures (poetry anthology)
- Field Notes in Contemporary Literature (textbook/anthology )
- Odyssea (poetry, 2007)
- The San Simeon Zebras (poetry, 2010)
In addition to poetry, Dennis and C.J. discussed a rescue and sanctuary center for dogs, focused especially on a group of hunting dog breeds known as “sighthounds”. The center is run by a 501(c)3 nonprofit called Hound Sanctuary Inc. Learn more at houndsanctuary.org.
No sooner had the nation finished celebrating the sesquicentennial of the Civil War’s end this past spring than the Charleston massacre and confederate flag fracas reminded us that the past isn’t past and the conflicts at the heart of the war still smolder. Historian David Blight has been pointing that out for years in books such as Race and Reunion: The Civil War in American Memory. David says that America dropped the ball when it set aside Reconstruction and set about reconstructing memory itself, embracing some convenient myths and turning its back on civil rights and African Americans in the process. We talked about a legacy of lost opportunities and broken promises, willful forgetting and whitewashed history.
In part 2 of the show, Pulitzer prizewinning writer Tony Horwitz on confederate nostalgia, the “Lost Cause” tradition and Civil War revisionism. Tony explored the ways in which the war is remembered and misremembered in his 1998 bestseller Confederates in the Attic and again in a recent essay, How the South Lost the War but Won the Narrative.
Click the play arrow above to hear the interview, or the download icon on the upper right to get your own mp3. Click the share icon (the box with arrow) to embed the interview in a tweet, Facebook post, etc.
Also of interest: Our 2011 interview with Tony Horwitz, discussing his bookMidnight Rising: John Brown and the Raid that Sparked the Civil War.
On the June 21, 2015 Poetry Show, local poetry luminary (and past Poetry Show host) Stephen Kessler joined host Dennis Morton to read from and discuss his new book, a hefty volume of translations titled Forbidden Pleasures: New Selected Poems [1924-1949], by the Spanish writer Luis Cernuda. Published by Black Widow Press, the 400+ page book features Kessler’s new English translations, side-by-side on the pages with the original Spanish text.
Cernuda was one of the “Generation of ’27” (Spanish: Generación del 27), a group of young poets that arose during the 1920s. The members were scattered by the onset of the Spanish Civil War in 1936. Best-known to Americans of the group is probably Federico Garcia Lorca, who was assassinated in the early days of the war. Cernuda spent many years in the UK and US before ending up in Mexico late in life. He never returned to Spain.
The stars have been in alignment for the Poetry Show (or maybe it’s the hard work of Dennis Morton in scheduling guests and subjects). Last week we learned that a previous guest, Juan Felipe Herrera, has just been named United States Poet Laureate. In honor of that honor, we re-broadcast Mr. Herrera’s 2014 visit to the show. This week’s guest, Stephen Kessler, was also a guest on that 2014 show because of his long-time association with both Herrera and the Poetry Show.
This program originally aired on The 7th Avenue Project, June 21, 2015.
“If there is an awful, horrible malady in the world,” Mark Twain wrote, “it is stage fright.” Twain is credited with coining the term, though he says he experienced the condition only once, as a fledgling public speaker. Many others haven’t been so lucky, as Sara Solovitch’s new book reminds us. Horowitz and Olivier had to be dragged bodily from their dressing rooms, fighting every inch of the way. Michael Gambon was twice hospitalized from the stress. And countless would-be performers have had careers interrupted or cut short when their nerves became too much.
Sara herself abandoned piano at 19 after years of serious study; chronic stage fright had made every concert and competition a panicky, sweat-soaked ordeal. She became a successful journalist, raised a family, and life was good. But there was still a nagging sense of unfinished business with the piano, and 30 years after running away, she took it up again, resolved to face her fear and maybe brave the stage again. She tells the story in Playing Scared: A History and Memoir of Stage Fright. We talked about Sara’s on-again, off-again affair with the piano, fear of failure, perfectionism and the culture of classical performance, the psychology of stage fright and some useful coping techniques (for a longer list, see Sara’s 12 Ways To Tame Stage Fright).
This piece also appeared in the Santa Cruz Sentinel on Sunday, May 31, 2015.
By Kelly O’Brien and Terry Green
Public radio depends on public support — and public participation. In the next few weeks, you will have an exceptional opportunity to shape the future of public radio in the Monterey Bay area.
Only one of the public radio stations in this region is owned by a local nonprofit organization dedicated exclusively to serving the community through public media: 88.9 KUSP. And KUSP faces some critical decisions about what that public service will look like in the months and years ahead.
KUSP’s audience size is at its highest level ever, and with a month to go in our current fiscal year we have already broken our all-time record for donations from listeners (which make up about 55% of our overall budget). But these successes can’t mask some uncomfortable truths about what’s happening to the economics of local media in smaller communities like ours.
Competition for listeners’ ears has never been greater — from other AM/FM radio, from podcasts, from satellite radio and from online services like Pandora. Our business supporters have an ever-growing range of options for their marketing dollars. Government support for public broadcasting is stretched thinner every year.
Despite this financial stress, KUSP has continuously searched for ways to bring you better public radio. For many years we have advocated for collaboration among public stations that would improve the service you get by reducing duplication of programming by stations and gaining efficiency through economies of scale. Unfortunately, our efforts at bringing stations together have not been successful, and the time has come to look at a wider range of possible strategies for KUSP.
When we began looking beyond Central California for prospective collaborators, we heard from some unexpected places, including the parent organization of classical stations KDFC in San Francisco and KUSC in Los Angeles. They were interested in seeing if, by working with us, there would be ways to include Monterey Bay area listeners in what they do.
Their interest prompted us to think about whether there might be ways KUSP could meet its mission through approaches we had not seriously considered before. Our Board of Directors, made up of 13 community members from Monterey and Santa Cruz counties, believed we should begin by asking our employees and volunteers whether the kind of idea floated by KDFC and KUSC was too “out of the box” for us to consider, or whether we should begin a serious exploration of what might be possible. While 81% of the group supported opening the discussion, there are voices in the community strongly opposed, and we recognize that broaching the idea at all has hit a nerve.
The start of the wider discussion has brought forth a number of interesting ideas for KUSP — some that involve bigger partners in one way or another, and some that the station would do on its own. As we bring these ideas into focus, we want to know what you think. Public meetings to discuss the ideas brought to us so far are going on now; a Santa Cruz County meeting is scheduled for Tuesday evening, June 2, at the Jack & Peggy Baskin Center for Philanthropy – Community Foundation Santa Cruz County, in Aptos. To learn more about current ideas and to review answers to frequently asked questions, please engage with KUSP at kusp.org/participate.
The time to plan the future is now, and we want your voice to be heard. Please join us.
Kelly O’Brien, KUSP President and Board Chair
Terry Green, KUSP General Manager
From feisty kittens to pacing cheetahs, Vint Virga knows animal behavior.
A veterinarian who specializes in behavioral medicine, Virga has treated many household pets in his clinic. But for the past five years he has been working mostly with leopards, wolves, bears, zebras and other animals living in zoos and wildlife parks. He deals with such issues as appetites, anxiety and obsessive behavior.
“I’m always trying to provide every single animal I come into contact with … with the opportunity to invent and think and discover on their own,” Virga tells Fresh Air’s Terry Gross.
“Probably the most important thing I stress to all my clients is to think about what the cat would do if they were living in nature. They would have to actually hunt for food.”
Virga’s book, The Soul of All Living Creatures: What Animals Can Teach Us About Being Human, was recently published in paperback. It explains how animals demonstrate mindfulness, forgiveness and adaptability — and what we can learn from them.
Virga talks about how house cats, like lions, are more fulfilled when they forage for food — and how animals express affection differently than we might think.
On making cats forage for food
Probably the most important thing I stress to all my clients is to think about what the cat would do if they were living in nature. They would have to actually hunt for food. While we can’t put out lizards and mice to run around in our house, we can portion out the food and make it more challenging and interesting for the cat to actually find.
I take my clients through a program of actually teaching their cats to forage for their food. Yeah, it isn’t live, but they’ve got to go on the hunt or the prowl throughout the house, and the locations in which they’re going to find the meal scattered about in the house … are going to be different every day. And cats find that very stimulating and very interesting — it adds a lot of richness to their lives.
On how cats show affection differently from humans
We need to step out of what we consider are the appropriate behaviors as humans and try to put ourselves in an animal’s footsteps. … Affection is shown by being cuddly and lovey for a lot of us — not necessarily all of us — [so we often think] that our cats would want to be cuddled and loved.
Instead, a lot of cats, if you actually watch their natural behavior when they’re in groups, the most affectionate cats might be sitting near each other. They might sit with their tails intertwined, rear to rear, but they’re not usually face to face, nose to nose, or snuggled up next to each other.
… That says that cats feel comfort and they express their emotions in ways differently than we do. If that’s true, then what behooves us [as] … their caretakers and human family members, is to learn about what it is that cats think and feel rather than [imposing] what we think and feel upon them.
On reading animal behavior at the zoo
Usually I like to spend a fair amount of time sitting outside an animal’s habitat and watching them, without trying to interact with them in any way, so I can understand as much about their behavior as possible — how they relate to other animals in their habitat, what they do in their time.
It’s one thing to see a wolf, for example, pacing alongside the edge of their habitat at about 3 o’clock in the afternoon when they’re starting to anticipate that their afternoon meal might be coming. It’s a very different thing if I see a wolf pacing around after their morning meal, before the zoo visitors have started to enter, because they reflect very different behaviors.
One, we’re talking about a wolf that’s anticipating something and starting to get a little bit anxious or excited; and the other, we’re talking about a wolf that even after his appetite and hunger needs have been met, he’s still choosing to pace. That reflects something very different in behavior.
On how zoos have changed to improve the animals’ well-being
I think the most important things that zoos have done in the past 10, 20 years, is that they [have] focused primarily on the animal’s well-being. And, depending on their feedback and responses, looked at their behavior, looked at their overall happiness and contentment, and used that as the gauge for what to do for the animal.
They’ve also applied as much [as] science knows about the animals in nature. What that looks like is providing them with a space that’s a lot more rich and full than just a place that is an exhibit. So it’s really shifting from not a cage, because most zoos don’t even have those anymore, but from an exhibit to a habitat. The environment is much richer and more complex rather than flat and uniform, so that we can see them.
[Zoos are] providing [animals with] opportunities to escape from view of the public — and that can be difficult for a zoo. … Visitors complain to the zoo if they can’t see the leopard, the bear or the lion. But on the other hand, if the lion doesn’t have any choice of getting away from the public at times, particularly if there [are] crowds or noisy visitors, then we’re taking away their sense of control over their environment.
On captive-born zoo animals
It is important to realize … that most animals in zoos nowadays are captive-born. They are not, by and large, taken from the wild. Usually it’s a number of generations that we would have to trace back to any type of direct wild animal.
… It becomes a constant effort by zoos, that is, supervised in a very strict fashion in terms of making sure that these animals are not inbred, to maintain diversity in the population, and yet what we are dealing with [are] … animals that are to some degree different than their wild cousins.
They lose some of those instincts by … not having predators and the pressures of the world that they’re being exposed to — from habitat loss and pollution and so on. They also are gaining other traits in that they’re constantly getting this affiliation or connection to humans. I’m touched by the relationships that I witness every day between keepers and the animals in their care.
By Rick Kleffel:
I was intrigued with ‘Another Great Day Day At Sea’ pretty much from the moment it landed in my hands. Geoff Dyer’s prose voice was delightful and the subject seemed so odd and yet so obviously fascinating.
This wasn’t my first experience with Dyer, though. I’d read another odd little book by him titled ‘Zona,’ about one of my favorite movies of all time, Stalker, by Andrei Tarkovsky, based on the novel ‘Roadside Picnic’ by Boris and Arkady Strugatsky.