Listen to the review by David H. Anthony above, or read it below.
The work of Jon Favreau has already made an impact on American popular film. He has been executive producer for the Iron Man franchise as well as for The Avengers and the quirky Cowboys and Aliens. Chef, his latest endeavor, is distinct from its predecessors; while categorized as a comedy it nonetheless addresses several very serious matters, the most central of which revolve around parenting, more specifically fathering.
Listen to the review by Dennis Morton above, or read it below.
Race, bigotry, class, slavery, miscegenation, women as property …. these are a handful of the issues that the film Belle grapples with while disguised as what some are calling ‘a costume drama’.
The film opens in 1769 as John Lindsay, an officer in the British Royal Navy, arrives at an unnamed site to claim his daughter. Her mother, a former West Indian slave, and Lindsay’s lover, has recently died.
Lindsay’s intention is to convince his uncle, Lord Mansfield, who also happens to be the Chief Justice of Britain’s highest court, to care for his daughter while he, Lindsay, is away at sea.
Listen to the review by Dennis Morton above, and read transcript below.
In a recent conversation with a friend, I mentioned that I’d just watched 13 Sins. I gave him a rundown of the movie, and he said – sounds a lot like The Magic Christian.
So, I looked up a précis of The Magic Christian, which was released in 1969, and sure enough, the over arching theme seems to be similar.
Listen to David H. Anthony’s review, above.
The Girls in the Band
This has been quite a fertile post-Oscar film season, illustrated by two well-paced documentary films to be screened locally for short stints of one week each. The first is The Girls in the Band, by Judy Chaikin. The Girls in the Band begins with a shot of the famous photo called A Great Day in Harlem, in which the principal living legends of the jazz tradition assemble for a historic photo in front of a Harlem Brownstone. The shot was taken by Art Kane, a freelance photographer, for Esquire magazine in 1958. It was so important that it later became the basis of a 1994 film.