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Listen above to the review by Dennis Morton, and read it below.
Whiplash is a film that raises lots of questions but leaves many of them unanswered. And if, at times, we viewers feel that we’ve been lashed with a whip, well, rhetorically speaking – we have.
The story is rather simple. Andrew, a young guy in his first year at a prestigious music academy in New York City, wants to become the best jazz drummer in the world. Terence Fletcher, on the faculty of the academy, is the school’s best instructor. Andrew’s nascent talent comes to Fletcher’s attention.
The problem for Andrew, and all the students under Fletcher’s purview, is that Fletcher is a mean and nasty guy. He brooks no deviation from his expectations. He is preposterously demanding and to say that he is verbally abusive is a massive understatement. His rants range from sexist to homophobic. He’ll pretend, for a moment, to be interested in the personal life of a student, but it’s just a gathering of ammunition to be fired at an opportune time.
Because there are several moments when Fletcher is, or appears to be, human and vulnerable, we wonder how he came to be the ugly man he seems to be. Writer / director Damien Chazelle does not provide us with the answer. Like his students, we, the viewers, must accept Fletcher as he is. And it is J.K. Simmons brilliant performance that makes it possible for us to do that.
Whiplash is a two person show. Miles Teller, who plays Andrew, is equally brilliant in his role. The big question regarding Andrew is: how much abuse can he tolerate from Fletcher. Ultimately, director Chazelle does provide that answer.
We do get a few brief hints about the events that have shaped Andrew’s life. These are provided at a family dinner. Present are Andrew’s ubiquitous father, his two cousins and presumably, his aunt and uncle. The cousins arrive a bit late. Just prior to that, Andrew is answering a question about how things are going at music school. His response is interrupted when the cousins show up. Immediately, all attention if focused on them. One has just scored a 93 yard touchdown. The other has just learned that he’s being considered for a Rhodes Scholarship. So much for Andrew, it would appear. But not so. Unexpectedly, in a one-sided bout of verbal fisticuffs, Andrew demolishes his cousins’ achievements. And we are left to wonder if, somewhere under the skin, there’s a bit of Fletcher lurking in Andrew.
There are a few scenes in Whiplash that strain credulity. On the way to a big band competition, an unlikely series of automotive mishaps threatens Andrew’s timely arrival. But perseverance prevails and a bloodied Andrew arrives in the nick of time.
Notwithstanding who prevails or who loses, and when – it’s J. K. Simmons and Miles Teller that make Whiplash a worthy investment of your movie going time. Their performances are simply magnificent.
‘Rotten Tomatoes’, a website that gathers movie reviews, reports that Whiplash is a huge success, among critics and viewers. An astonishing 96% of critics and 96% of viewers have given it positive ratings. Don’t miss Whiplash.